Introduction
Setting the scene. Adaptation, sound and Shakespeare in the 1930s / Deborah Cartmell
Postmodern screened writers / Kamilla Elliott
Adapting genre. True stories: film and the non-fiction narrative / Kevin Dwyer
The writing of a film noir: Ernest Hemingway and the killers / Delphine Letort
Filmic avatars of The Maltese falcon / Gilles Menegaldo
The aesthetic of epic in Kenneth Branagh's Hamlet / Sarah Hatchuel
Sociocultural concerns: race and gender. White lies, noir lighting, dark others / Joyce Goggin
Making red black: race and The Shawshank redemption / Donald Ulin
Shaft's political shifts / Helane Charlery
Sexual politics: The last September, novel and film / Shannon Wells-Lassagne
Jane Austen goes to Bollywood- with a pinch of salt / Florence Cabaret
Aesthetics of adaptation. Surface and depth in Korea / Nicole Cloarec
The visible in Howard's end and The remains of the day / Karim Chabani
Adapting E.M. Forster's subversive aesthetics / Laurent Mellet
Remakes and readaptation. Re-adaptation as part of the myth: Orson Welles and Don Quixote's "outings" / Sebastien Lefait
Bad Shakespeare: adapting a tradition / Charles Holdefer
Readapting "the horror": versions of Conrad's Heart of darkness / Gene M. Moore
Scarfaces: documents, messages and works of art / Dominique Sipiere
Conclusion: from theory to practice
Lost in adaptation-a producer's view / Roger Shannon.
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Screening text : critical perspectives on film adaptation. ISBN 9780786472307. Published by McFarland & Company, Inc., Publishers in 2013. Publication and catalogue information, links to buy online and reader comments.
