Introduction: death acts (survival acts)
Post-Shingeki's edge. No holds barred: Betsuyaku Minoru and the paradoxes of total commitment
Terayama Shuji: gender, power, and the imperative voice
Blindness and the visuality of desire
Intersubjective spaces, communal dreams
Theories of encounter. Theories of encounter: breaking the everyday
Imaginations of return: film, Buto, photography. Marks the spot: experimental film crossings
On homecoming: Hijikata's writings and Buto
Provoke era: new languages of Japanese photography
Conclusion: counterfeit coins, phantasms.
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Experimental arts in postwar Japan : moments of encounter, engagement, and imagined return by Miryam Sas. ISBN 9780674053403. Published by Harvard University Asia Center in 2011. Publication and catalogue information, links to buy online and reader comments.
